My Cut21 Jeans -- The Test Ride

Last week I had a job interview at a bike shop in York and made some jeans for it. They were the Cut21 Jeans made over my jeans block, so the fit is a little different, partly because there were some changes I wanted to make, like narrowing the legs.

Cut21 Jeans test ride, worn with Cut21 Jacket Toile and Cut21 handbag.

The jeans are getting more comfortable as I'm breaking them in. I'm used to stretch denim or skirts. Mainly skirts. They were not comfortable to begin with.

Cut21 Jeans front view; they slip down a bit because the waistline stretched a little during sewing. That is why "wad" appears. If I had a belt that wouldn't happen.

Aldrich's jeans and trouser drafts go right to the floor, which is about 8cm longer than a garment's inside legs would be, which is roughly what I have as my turn ups. It's lucky they are this length. When I drafted the pattern months ago I evidently typed in 120cm instead of 102cm, so when I printed out my pattern it were frankly too long. I shortened it and narrowed the leg to get this fit. I've corrected my Illustrator pattern now. :)

Many of the features of these jeans you have already seen on the original Cut21 jeans but, as I said, I changed a few things. Specifically:

• the narrower leg (measured round my ankle with the tape at an approximated circumference)
• no yellow hand-topstitching (no time, haven't bothered since)
• and the belt-loops are now uniform in length and made from the selvedge, which I thought was a nice touch.

Making the belt-loops

The fit is pretty good (bear in mind that they are slightly crumpled here for having been worn while cycling). I can't really say whether the gusset improves comfort because I don't have any jeans without a gusset. It's not as nice as cycling in a skirt anyway.

Things I Would Like To Improve

• The back pockets are a bit far apart. I think they could do to be 1.5cm nearer to the CB seam.
• The little pocket that I was going to keep my keys in is too small for that, so it's really just for looks and I don't like that.
• I still couldn't get the facing to be perfectly aligned at the CF. You can't tell from the outside, but still...
• The waist is too low, and I think it stretched a bit during sewing. I suppose that is why they fuse waistbands in RTW jeans. I didn't do a higher back waistline either, so the whole waistline needs redesigning if I'm to make another pair.
• The shape on the front waistline detail is not perfectly round.

Thinks I'm pleased with

• Not one pin was used to sew these! (I've given up pins for sewing lately; I don't need them).
• RTW fly front zip like in my brother's jeans (slightly different though as they use a felling attachment and make their patterns accordingly in RTW; you work with what you have)
• The fit of the legs. It reminds me of Hiut denim (great company; I've never bought anything from them because I make my own, but they look good!)
• The fit on the crutch -- no monobutt here!
• They get more comfortable the more I wear them
• They're real denim, not stretch stuff. It's so nice and the perfect step between weighty denim and soft denim, which is nice for women's wear. It got it from Merchant & Mills.

So they are my Cut21 jeans 2.0. They're going to look so cool with my Cut21 jacket (I'm working on a hack for that now)!

If you could make some dream jeans, what would they be like? Any special features? A particular fabric? Please do share in the comments below!

Sabrina

Cut21 -- Part 4 -- The Jeans

The second part of the outfit is the jeans. I knew I wanted to make some for my FMP, and to begin with, the designs were fairly mainstream, though better-fitting. As it goes with designing, the more I sketch, the sooner I come to a good idea. I came to these (note: these are my sketchbook pages, not my scruffy-book pages):

Some features I chose to include in the jeans were: a slightly lower front waist so it doesn't dig into you; a gusset between the legs to avoid the "slicer seam" problem; and purposes, a contoured waist-facing instead of a traditional straight-cut waistband, giving a better fit and less bulk, as well as cleaner lines for the aesthetic. I wanted slim-fit legs, turn-ups, and, eventually, a back yoke shaped like a traditional shirt hem, just because.

Now, had I been able to make them in my size, I would have had more freedom to finesse the fit. As it was, I was required to make them in a tall size 12 (probably a shop size 10), and had no one the right size and height to test them on. I tried the toile on myself and had to pin a considerable amount out a the waist and turn the hems up a lot more. (Images here to save data).

These are the jeans I finished with.

Notice the high back and low front, for comfort and security while riding.

Granted, they would look better on a person. :)

Here are some detail shots:

The pockets feature the soft selvedge of this non-selvedge 11oz denim.

Inside the back pocket

Crutch gusset to make cycling more comfortable.

The gusset was quite tricky to sew. I had to clip into the corners to be able to get past the crutch point. I would have used a curved gusset like Kathleen Fasenella, but I couldn't get the curved edges to be the same length as where they had to go on the jeans, so I used a diamond gusset instead. She does on her jeans anyway so it must be acceptable.

Hand-topstitching using waxed embroidery floss.

Even though I used hand-topstitching, there is a lot of machine top-stitching on these jeans too. It's virtually invisible as I used the right colour Gutermann Sew-all thread (I can't remember the number for sure, but I think it was 512). I tested a couple of thread colours and put the sample and notes in my pattern file. That must get some points. :)

No waistband -- just a waist facing with its lower edge bound. There is a hook and bar at the top too, instead of a button and buttonhole.

If/when I make another pair, I will sort out this zip issue. I will have to stop lower down (would be easier to get the right length to begin with now I've time) because this comes close to showing when the jeans are fastened.

The other issue here was that the facings are not level inside. I don't know why, because the toile seemed okay, and the pattern, I think, was correct (must check). I want to find out what caused this because it annoys me to have that fairly noticeable (when you are getting dressed) fault. >:|

And, yes. That wobbly navy stitching on the binding on the zip guard does bother me.

Anyway...

All the garments in my collection feature hand-embroidered labels. Including labels is sure to get me a few marks! :)

The yoke line, which you can only see by the Sashiko-inspired stitching, is meant to resemble a shirt hem. The lines of the pockets echo this. I used extra long belt-loops for looks. They are backed with yellow bias because I refuse to use an overlocker on Cut21 stuff.

The back pockets were cut on the cross (not the bias, the cross, in case you use the wrong term) to take advantage of the selvedge, so when they are worn there is a shading differences, annoyingly. You can see in the photo that the grain doesn't match.

So much binding!

Side seams are bound to suggest the look of selvedge jeans. I tried opening the seams and binding separately, but it looked too sporty so I chose this option.

One thing I learned when doing all this binding is that it is much easier to sew on in one go if you press it in half first, perhaps with a little bit extra showing on the underside, just to make sure it gets caught in the stitching. If you have a really good binder attachment then maybe you won't need to do this, but I don't have one.

So these are the Cut21 Jeans. I would give them about an 8 out of 10, taking design into consideration, and the neatness inside. Plus the fabric is really nice! :)

Next week, you will see the shirt in more detail.

Sabrina

P.S. Sorry for posting late this week, I was doing a trial but I'm evidently too slow to work in an alterations shop.